For fiction, I draw from deep emotion/intuition that I have to express to make progress personally.
One of my greatist characters was created because he was my greatist fear of who I might become. I created him to ensure I would not become him.
Right now, if I have a
goal, I write characters who are role models, or humbled teachers, who can illustrate parts of the path I am "too busy" to explore or live.
So to write the character I choose a path not taken, and emotion not lived, a reality that might have been real, and then I close my eyes, and I feel the characters life.
I do not "make them up", I try to truly understand them, and find confirmations in events that help me show who they are.
Example: (I'll make a character right now)
- The path not taken is that he is a full on rebel entrepenuer, he takes anger and pursuit to the extreme. He is humble, he does reflect but he never stops feeling the pain, never stops pushing, never finds his place. (this sets his pathos)
- His background and life, are probably that he had to run away from something, so he learnt that if you stop, there is no soft place to land. Maybe, there were times he needed help, and instead of getting it, the ground broke from beneath him, he got horribly injured, and had to do the unspeakable to return from it.
- Where is he going in life, why is he doing it? Maybe he did find help, but in the unlikeliest of places, and maybe he is fighting for that person (maybe it was a dying or neglected person that helped him, and he wants to help them before they are gone, and is under that time limit).
Who is this character, I think it would be nice if he was a really open and charming guy before all that happened. But then, stuff hit the fan... And he could no longer be that guy anymore.
That character development process just there allows me to see his story.
He will eventually overcome something no one else will, the person that helped him will die, he will have to find his old self again, and all that pain and struggle he will do something breathtaking with.
Then I just need to find out who does he meet and what do they learn from having met him, and why the audience will love this guy and his story.
Maybe he is the archetypical enemy of someone at the end, (someones boss or something else) and it helps them understand that journey when they see him change into a good guy again and maybe save someone in a way you would have not expected (that went far beyond the call of decency).
That is generally how I create characters, but furthermore, I try to make my characters so close to me that I remember them daily/weekly, and that they help me deal with real situations in life. So if this guy was to become a real character for a book, I would think continuously about what I need to learn in business from him, and I would have to find him an irreplaceable, undeniable use that helps me better face life.
Maybe he would be used to help people get over hate and bitterness, and the story would evolve around the ways we all are judgemental, and show an eventual story of how to become a giving person.
When you get that last part down, thats when the characters really shine.